democracy discourse fellow

Tao Aves

Tao [she/they] has been making and singing songs for 16 years and has been queer all her life. Her most recent release has been as vocalist and songwriter for Oriang, a so far 3-track project of portrait songs about three people they acknowledge and honor as heroes — Amanda Echanis, Kerima Tariman, and Chad Booc. She has released one other major project so far, a self-titled album consisting of songs she’d written between 2006 and 2011, as vocalist and songwriter for Sleep Kitchen.

Country

Philippines

Categories

Music

Her recent musical collaborations have been with Calix for RESIST, REDISTRIBUTE, REMIX, MuroAmi for Pasya, and the Concerned Artists of the Philippines for Pinatay Nila Si Hesus. She co-parents a visually expressive, musically motivated, currently writing-inclined, comedic riot of a teenager with her partner of 7 years. They have had 7 cats in their lives together and are currently caring for 4, on top of having the honor of guardianship over 2 Java sparrows. Tao wrote her contributions to Oriang hoping they would find themselves in their kid’s storymaking playlist.

 

Oriang

Oriang in its current iteration is hopefully the start of a collective or a collective-adjacent entity of largely women and queer folks who are artist-activists. The intended shared goal is to build a library of resistance or a library of heroes / human rights defenders for young people who are now entering into their own [ideas of] heroism. Our main output so far has been three portrait songs about three people who we acknowledge and honor as heroes — Kerima Tariman, a poet-revolutionary killed a year and a half ago by state forces in Silay, Negros Occidental; Chad Booc, a math and science teacher to Lumad youth killed a year ago by state forces in New Bataan, Davao de Oro; and Amanda Echanis, a peasant woman organizer currently imprisoned by state forces on false charges in Tuguegarao, Cagayan. Oriang acknowledges that these three heroes have given / continue to give their lives to seeking justice for the state’s atrocities against these indigenous and farming communities who continue to protect and till our lands even under intolerable living conditions, fatal government neglect, and outright state-sponsored extrajudicial killings and incarcerations.

Oriang intends to produce more music and build an actual long-play record. Simultaneous to this, we intend also to consult with organizations we have already partnered with about how to most effectively and meaningfully sustain and grow Oriang as the collective we envision it to be. Over an 18-month period, we are hoping to set these consultations to motion by incorporating educational discussions covering agrarian reform, urban and rural poor mobilization, unionization, queering spaces and movements, and other adjacent topics in collaboration with SAKA, RUWA, Metro Manila Pride, Concerned Artists of the Philippines. The intention is to enrich the songwriting process with context and rhetoric that are rooted in the principles we hope to leave the coming generation about what it can mean to be artist-activists in service of oppressed communities. The hope is to follow in the footsteps of champions who have done this before us, the giants who produced Kolateral [SANDATA] and Pasya [Muro Ami x PINSAN x WGNRR] and Walang Panginoon ang Lupa [ARPAK].

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